Parmela Attariwala – violinist/violist, composer and ethnomusicologist – has been described as “one of Canada’s most original and compelling artists”. She traverses genres from Mozart to the avant-garde, from fiddle to rock, from free improvisation to non-Western crossovers with virtuousic fluidity, and is equally comfortable performing acoustically in a concert hall or plugged-in in a club.
The creative process inspires all that Parmela does, whether it is performing composed music, creating or improvising her own music, mentoring young musicians, or undertaking academic researching on the arts in Canada.  She has been deeply influenced by dance—working extensively with choreographers as a composer, musician and movement artist—and by small-scale works for instruments and voices. In 1995, Parmela created the Attar Project as a vehicle to perform and create with musicians and artists from non-Western and non-classical forms.
Parmela has released three critically acclaimed recordings that defy the boundaries of genre:  Beauty Enthralled (1997), featuring tabla player Ravi Naimpally and ghazal singer Kiran Ahluwalia; Sapphire Skies (2003), which features her own compositions; and The Road Ahead … (2010), a collection of commissioned works for violin and tabla, performed with Montreal-based tabla player, Shawn Mativetsky

As an academic, Parmela has undertaken research on: multiculturalism, democracy and arts funding; improvisation in classical Western music pedagogy; and devotional poetry and music in medieval India.  In October 2018,. Parmela and equity consultant Soraya Peerbaye released, "Re-sounding the Orchestra: Relationships between Canadian orchestras, Indigenous peoples, and people of colour", a research paper  on equity and diversity commissioned by Orchestras Canada and funded by the Canada Council's "Leadership for Change" program.

Following 25 years in Toronto, Parmela is now based in Vancouver, B.C.

Two decades in

Hard to believe that we're two decades into the second millennium.  And twenty-five years since I landed in Toronto, intending only to kill the length of time necessary to renew my visa to the UK ... and perhaps make a…

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Ghosts of the Woolly Mammoths Roar

I can't quite believe that 2017 has come and gone! I spent a wonderful semester in Brandon last winter, experiencing (and enjoying!) what it was like to have a singular workplace, from which to pursue a multi-faceted job of lecturing…

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Omnivorous Listening Blog

I am back in Toronto after a wonderful winter semester sojourn at Brandon University. And really, the winter wasn't so bad. It was actually a relief to go through a winter of sunny, cold days and clean air instead of…

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Hello, Brandon!

Winter 2017 finds me in beautiful, snowy Brandon, Manitoba as the Stanley Knowles Distinguished Visiting Professor in Public Policy. What can I say? It's my dream gig: thinking about and conducting research on policy, social justice, equity and music, plus…Read more

Spring, nature and movement

Spring has finally arrived in Toronto. After a mild winter, I'd been looking forwards to a long, lovely spring; but no. Winter decided to show up after all: in April!

Under the superficial layer of snow and frozen grass, life…Read more

Recognition for "Under Milk Wood, an opera"

The highlight of 2014 for me was performing in the premiere of Under Milk Wood, an opera. John Metcalfe composed the music to text based upon Dylan Thomas' radio play of the same name. Under Milk Wood has been nominated…Read more

Against Nature

The Citadel

Citadel & Compagnie remounts "Against Nature", a dance-opera inspired by Huysen's book. choreography by James Kudelka libretto by Alex Poch-Goldin and music by James Rolfe

featuring Alex Dobson and Laurence Lemieux Attariwala-Reeves-Philcox piano trio

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